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{{Infobox Film| name = Crouching Tiger, Hidden Dragon| image = Crouching tiger hidden dragon poster.jpg| image_size =| caption =| director =
Ang Lee
[William KongAng Lee
see article] (book)
Hui-Ling Wang
James SchamusKuo Jung Tsai
[Michelle YeohZhang ZiyiChang ChenCheng Pei-pei| cinematography =| editing =| distributor =| released = [16 May, 2000 (premiere at Cannes Film Festival)
July 6 2000 July 7, 2000
September 22,
2000 December 15,
2000 December 22, 2000
December 26, 2000
January 4,
2001 January 5, 2001, [English language| budget = $15,000,000 US (est.)| gross =| preceded_by =| followed_by =| website =| amg_id = 1:201837| imdb_id = 0190332-->
Crouching Tiger, Hidden Dragon () is a Chinese-language wuxia (
chivalry and
martial arts film) 2000 Academy Award winning
film. A
People's Republic of China-
Hong Kong-Republic of China-
United States co-production, the film was directed by
Ang Lee and features an international cast of Zhonghua minzu actors, including
Chow Yun-Fat,
Michelle Yeoh, Zhang Ziyi and
Chang Chen. The movie was based on the fourth novel in a
pentalogy, known in China as the
Crane-Iron Pentalogy, by
Wang Dulu. The martial arts and action sequences were choreographed by Yuen Wo Ping.
Made on a mere US$15 million budget, with dialogue in Mandarin Chinese,
Crouching Tiger, Hidden Dragon became a surprise international success, grossing US$128 million in the United States alone,{{cite web|title = Business Data for Wo hu cang long (2000)
|url = http://www.imdb.com/title/tt0190332/business
|publisher = [Internet Movie Database
|accessdate = 2007-01-15
|quote = Gross: $128,067,808 (USA) (29 July 2001) (sub-total)
--> becoming the highest-grossing foreign-language film in American history.{{cite web|title = A Leap Forward, or a Great Sellout?
|url = http://www.nytimes.com/2007/07/01/movies/01barb.html?_r=1&ref=movies&oref=slogin
|publisher = [New York Times
|accessdate = 2007-07-01
|author = David Barboza
--> The film won the
Academy Award for Best Foreign Language Film and three other Academy Awards, and was nominated for a total of ten
Academy Awards including Academy Award for Best Picture. Crouching Tiger, Hidden Dragon Academy Award Nominations and Wins URL accessed December 30,
2006.
Title
The title
Crouching Tiger, Hidden Dragon (臥虎藏龍) derives from a Chinese idiom that describes a location where everyone conceals their strengths from the others to preserve the element of surprise. It also references two of the characters: Jen's Mandarin name, Jiāo Lóng, means "lovely dragon", and Lo's name Xiǎo Hǔ means "little
Chinese tiger".
Synopsis
The fictional story is set in the historic Qing Dynasty in Chinese history. The date of the story is during the 43rd year of Emperor Qianlong's reign (i.e. 1778).http://www.castingforge.com/crouchingtigerhiddendragonkatana.html
The story follows two martial arts warriors, Li Mu-bai () (
Chow Yun-Fat) and Yu Shu-lien () (Michelle Yeoh), the former now an accomplished swordsman for the
Wudangquan school. Li surprises Yu with the reveleation that he is to surrender
Green Destiny, a legendary sword that has been in his keeping for many years. He explains that a revelation during a period of deep meditation has caused him to rethink his life, and requests Yu, who has inherited a house of armed escorts from her father, to transport it to Sir Te, a long-time friend, for safekeeping in Beijing. In the meantime, Mu-bai intends to commemorate the death of his master, who was murdered long ago by Jade Fox, a woman seeking to learn the secrets of Wudangquan.
Mu-bai and Shu-lien are attracted to each another but have abstained from a relationship, constrained by commonplace propriety because of Shu-lien's betrothal years ago to Mu-bai's "Brother in Oath," who was killed in battle. In their opening conversation of the film, Mu-bai's demeanor suggests that he is also rethinking his relationship with Shu-lien.
Once in Beijing, Shu-lien delivers the sword to Sir Te and meets Jen () (
Zhang Ziyi), who is the daughter of Governor Yu, a
Manchu aristocrat visiting Sir Te on official business. Jen is destined for an arranged marriage, yet yearns for adventure instead of a life as a court wife. Jen is fascinated by Shu-lien's background as a fighter and develops an attachment to her.
One night, a masked thief sneaks onto Sir Te's property and steals the
Green Destiny. The thief is pursued by guards, a Shaanxi policeman and his daughter, and by Shu-lien, across rooftops, alleys, walls, houses and various obstacles within and outside the enclosed estate of Sir Te. Amidst combat, and much to Shu-lien's surprise, she discovers that the thief is well-versed in martial arts and has apparently studied the Wudangquan school of martial arts, like Mu-bai. The thief and Shu-lien seem evenly-matched, and the fight is only broken off when a mysterious figure fires a dart at Shu-lien.
Many of the clues from the theft point Mu-bai and Shu-lien in the direction of Governor Yu's compound. It transpires that Jen has been under the influence of Jade Fox, who has been hiding out for many years as her Governess, hotly pursued by the couple from Shaanxi. Jade Fox challenges them to a showdown, when ends with the death of the policeman and the arrival of Mu-bai. Mu-bai easily defeats Jade Fox, but is prevented from killing her by the masked thief, who displays a skill far greater than her mentor, with influence from
Wudangquan. The thief and Jade Fox escape, and in a confrontation, Jade Fox realises that the secrets of a
Wudangquan manual that she stole have been hidden from her - only Jen has understood their true meaning and has surpassed her in skill. Mu-bai catches the masked Jen attempting to return the Green Destiny, and after defeating her is moved to suggest that she become his apprentice. She refuses and escapes.
The dart that had prevented Shu-Lien from preventing the escape of the masked Jen came from a man Lo, who returns one night and asks Jen to leave with him. In a flashback it is revealed that Lo is a desert bandit called Dark Cloud who long ago raided Jen's company of travelers in Xinjiang province. Lo stole Jen's comb and she raced after him and fought him to get it back, but Lo won. He kidnapped Jen and eventually they fell in love. When soldiers look for them, Lo tod Jen she should return to her family, but expressed his love for her. He concluded with a legend about how a man had fallen off a cliff but not died but instead had his wishes come true. Lo has followed her to Beijing in an attempt to persuade her not to go through with her family's political marriage. Back in the present, Jen cannot bring herself to leave and tells him to go away and never return. Devastated, Lo complies, giving Jen's comb back before he goes. Later, Jen is paraded as she is married to her arranged husband. Lo reappears and tries to reach her but cannot overcome the people protecting her. Mu-bai and Shu-lien find him and tell him to wait at Wudan Shan, where they will tell Jen to go. The next day, it is found that Jen has run away.
Jen, headstrong in her powers and emboldened by her forbidden love to the desert bandit Lo () (played by
Chang Chen), consequently does not accept Mu-bai as master, nor Shu-lien as a friend. Jen stands at a crossroads - she must choose either life as a court official's wife or a dangerous, hunted life with Lo. She also considers a rebellious (and romantic in her eyes) existence as either an
outlaw under Jade Fox, or a somewhat more assured, but nonetheless unconventional, martial path with Mu-bai as a teacher.
Jen finds Shu-lien and they have a friendly conversation until Shu-lien tells her about her meeting with Lo. Jen is outraged thinking Shu-Lien is setting her up. Shu-Lien, angry at the lack of gratitude, states that she had already known Jen to be the thief, but had covered it up for the sake of Jen's family. Subsequently the two of them fight and they appear to be an even match for each other. Mu-bai arrives at the scene, and pursues Jen into the forest. When Mu-bai reasserts that he wants to train Jen, she tells him that she will accept him as her master if he can take the Green Destiny sword from her in three moves. To Jen's surprise, Mu-bai moves swiftly and snatches the sword from her hand in a single movement. When Jen still refuses to become Mu-bai's pupil, he throws
Green Destiny into a stream at a waterfall. Jen chases after the sword, but Mu-bai does not pursue after her, and surprisingly she is rescued by person later revealed to be Jade Fox.
Jade Fox bring Jen, who had gotten the sword back, into a cavern where she is working on a weapon with poisoned needles. She drugs Jen into sleep, then leaves. Mu-bai finds Jen, and soon after Shu-Lien finds them both there. Jade Fox suddenly reappears, sending a barrage of poisoned needles at Jen, but Mu-bai blocks all of them. He avenges his master's death when he fatally wounds Jade Fox, but as she is dying she hits Mu-bai with another poisoned needle. Before dying, she says Jen had been her only family and also her only enemy for not telling her to secrets of the Wudan manual. Mu-bai realizes his death from the poison will come soon.
Jen knows that the poison is Purple Yin, a poison which spreads directly to the heart. Although Jen knows of a cure, it takes too long to prepare, and Mu-bai begins to take his last few breaths. Just before his death, Mu-bai professes his true feelings for Shu-lien. Shu-lien is heartbroken, and furious at Jen for spoiling her chance of happiness, but spares her and tells her that, no matter what path she chooses, she must always remain true to herself. Jen goes to
Wudangquan mountain and spends one last night with Lo, who is waiting for her. The next morning, he wakes to see she is not with him and has left him her comb. He finds her standing beside the side of the mountain. In an echo of a legend that they spoke about in the desert, she asks him to make a wish. He complies, wishing them to be together back in the desert, and Jen leaps into the clouds below, leaving Lo behind.
As an additional remark, although the movie does not reveal if Jen dies, the subsequent novel in the Crane Iron Pentalogy,
Iron Knight, Silver Vase, starts with Jen and Lo as a couple and having one son.
Source
The film is an adaptation of the fourth novel in a pentalogy (or five-novel cycle), known as the
Crane-Iron Pentalogy and written by noted wu xia novelist Wang Dulu. The novels in the pentalogy are:
Crane Frightens Kunlun;
Precious Sword, Golden Hairpin;
Sword's Force, Pearl's Shine;
Crouching Tiger, Hidden Dragon; and
Iron Knight, Silver Vase.
The pentalogy was adapted into a series of graphic novels by
Andy Seto in 2006 .
Production and marketing
Although its Academy Award was presented to
Taiwan,
Crouching Tiger, Hidden Dragon was in fact an international co-production between companies in four regions: the People's Republic of China company China Film Co-Production Corporation; the United States companies Columbia Pictures, Sony Pictures Classics and Good Machine; the
Hong Kong company
EDKO Film; and the
Taiwanese Zoom Hunt International Productions Company, Ltd; as well as the unspecified United China Vision, and
Asia Union Film & Entertainment Ltd., created solely for this film.
The film was made in
Beijing, in addition to location shooting in the Anhui,
Hebei,
Jiangsu and Xinjiang provinces of China of the People's Republic of China.
Unlike most Chinese films, this one was supported by American distributors and therefore received marketing typical of Western films.
Reception
Crouching Tiger was very well received in the
Western world, receiving critical acclaim and numerous awards. It is # 154 in
IMDB's Top 250 films of all time. However, it was less well received in China and Hong Kong as the rest of the world, where it was perceived as just another of the countless
wuxia films released in the past four decades. Lee's emphasis on subtle emotions was admired in the West but not appreciated by some Chinese, since it was thought inappropriate to the traditional, more masculine wuxia style.
Some Chinese-speaking viewers were also bothered by the accents of the leading actors. Neither Chow (a native Cantonese (linguistics) speaker) nor Yeoh (an
overseas Chinese born and raised in Malaysia) speaks Mandarin as their
mother tongue. All four main actors spoke with different accents: Chow speaks with a Cantonese accent Interview with Gong Li URL accessed
December 30,
2006.; Yeoh with a Malaysian accent; Chang Chen a Taiwanese accent; and Zhang Ziyi a Beijing accent. Lee insisted that their voices should not be dubbed and some Mandarin-speaking viewers were forced to read the Chinese subtitles because the actors' accents were hard to understand. Yeoh responded to this complaint in an December 28, 2000 interview with
Cinescape. She argued that "My character lived outside of Beijing, and so I didn’t have to do the Beijing accent." When the interviewer, Craig Reid, remarked that "My mother-in-law has this strange
Szechuan-Mandarin accent that’s hard for me to understand," Yeoh responded,
"Yes, provinces all have their very own strong accents. When we first started the movie, Cheng Pei Pei was going to have her accent, and Chang Zhen was going to have his accent, and this person would have that accent. And in the end nobody could understand what they were saying. Forget about us, even the crew from Beijing thought this was all weird."
The film led to a boost in popularity of Chinese
wuxia films in the
western world, where they were previously little known, and led to films such as
House of Flying Daggers and
Hero (2002 film) marketed towards western audiences.
The Region 2 DVD has slight but significant script changes to the version released in UK cinemas. Li Mu Bai's final speech is the most drastically affected.
Awards
Won
- ASCAP Film and Television Music Awards: Top Box Office Films (Tan Dun)
- Academy Awards:
- Best Foreign Language Film (Taiwan)
- Best Cinematography (Peter Pau)
- Best Music, Original Score (Tan Dun)
- Best Art Direction-Set Decoration (Timmy Yip director)
- Saturn Award ("Saturn Award"): Best Action/Adventure/Thriller Film
- Australian Film Institute: Best Foreign Film
- BAFTA Awards:
- Best Film not in the English Language
- David Lean Award for Direction (Ang Lee)
- Anthony Asquith Award for Film Music (Tan Dun)
- Best Costume Design (Timmy Yip)
- Bergen International Film Festival: Audience Award (Ang Lee)
- Bodil Awards: Best Non-American Film
- Bogey Awards (Germany): Bogey Award
- Boston Society of Film Critics: Best Foreign Language Film, Best Cinematography (Peter Pau)
- Broadcast Film Critics Association: Best Foreign Language Film
- Chicago Film Critics Association: Best Foreign Language Film, Best Cinematography (Peter Pau), Best Original Score (Tan Dun)
- Dallas-Fort Worth Film Critics Association: Best Foreign Film, Best Cinematography (Peter Pau)
- Directors Guild of America: Outstanding Directorial Achievement in Motion Pictures (Ang Lee)
- Film Critics Circle of Australia: Best Foreign Language Film
- Flanders International Film Festival (Belgium): Georges Delerue Prize (Tan Dun)
- Florida Film Critics Circle: Best Foreign Language Film, Best Cinematography (Peter Pau)
- Golden Bauhinia Awards (Hong Kong): Best Picture, Best Supporting Actress (Ziyi Zhang), Golden Bauhinia - Best Director (Ang Lee)
- Golden Globe Awards:
- Best Foreign Language Film (Taiwan)
- Best Director - Motion Picture (Ang Lee)
- Golden Horse Film Festival (Taiwan): Best Picture (Ang Lee), Best Action Direction (Woo-ping Yuen), Best Editing (Tim Squyres), Best Sound Effects (Eugene Gearty), Best Visual Effects (Leo Lo and Rob Hodgson)
- Golden Trailer Awards: Best Art and Commerce (for the trailer), Best Romance (for the trailer)
- Grammy Awards:
- Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media (Tan Dun)
- Hong Kong Film Awards: Best Picture, Best Supporting Actress (Pei-pei Cheng), Best Director (Ang Lee), Best Cinematography (Peter Pau), Best Original Film Score (Tan Dun), Best Original Film Song (CoCo Lee ), Best Action Choreography (Woo-ping Yuen), Best Sound Design (Eugene Gearty)
- Hong Kong Film Critics Society Awards: Special Achievement Award (Woo-ping Yuen)
- Hugo Awards: Best Dramatic Presentation
- Independent Spirit Awards: Best Feature, Best Supporting Female (Ziyi Zhang), Best Director (Ang Lee)
- Kansas City Film Critics Circle: Best Foreign Language Film
- London Film Critics Circle: Best Foreign Language Film
- Los Angeles Film Critics Association: Best Picture, Best Cinematography (Peter Pau), Best Music Score (Tan Dun), Best Production Design (Timmy Yip)
- MTV Movie Awards: Best Fight (Ziyi Zhang vs. entire bar)
- Motion Picture Sound Editors ("Golden Reel Award"): Best Sound Editing - Dialogue & ADR, Domestic Feature Film
- National Board of Review: Best Foreign Language Film
- New York Film Critics Circle: Best Cinematographer (Peter Pau)
- Online Film Critics Society: Best Foreign Language Film, Best Cinematography (Peter Pau)
- Robert Festival (Denmark): Best Non-American Film
- Satellite Awards 2000: Best Motion Picture, Foreign Language
- Science Fiction and Fantasy Writers of America: Best Script
- Southeastern Film Critics Association: Best Foreign Language Film
- Toronto Film Critics Association: Best Picture, Best Supporting Performance - Female (Ziyi Zhang)
- Toronto International Film Festival: People's Choice Award (Ang Lee)
- Young Artist Awards: Best Young Actress in an International Film (Ziyi Zhang)
Nominations
- Academy Awards:
- Best Picture (Murphy)
- Best Director (Ang Lee)
- Best Adapted Screenplay (Hui-Ling Wang, James Schamus and Kuo Jung Tsai)
- Best Costume Design (Timmy Yip)
- Best Editing (Tim Squyres)
- Best Original Song (Jorge Calandrelli, Tan Dun and James Schamus ) - for the song "A Love Before Time"
- Saturn Award ("Saturn Award"): Best Actor (Yun-Fat Chow), Best Actress (Michelle Yeoh), Best Supporting Actress (Ziyi Zhang), Best Director (Ang Lee), Best Writing (Hui-Ling Wang, James Schamus and Kuo Jung Tsai), Best Music (Tan Dun and Yo-Yo Ma), Best Costumes (Timmy Yip)
- Amanda Awards (Norway): Best Foreign Feature Film
- American Cinema Editors ("Eddie Award"): Best Edited Feature Film - Dramatic (Tim Squyres)
- American Society of Cinematographers: Outstanding Achievement in Cinematography in Theatrical Releases
- Art Directors Guild: Excellence in Production Design Award Feature Film - Period or Fantasy Films
- BAFTA Awards:
- Best Film
- Best Actress (Michelle Yeoh)
- Best Supporting Actress (Ziyi Zhang)
- Best Screenplay - Adapted (James Schamus, Hui-Ling Wang and Kuo Jung Tsai)
- Best Cinematography (Peter Pau)
- Best Editing (Tim Squyres)
- Best Sound (Drew Kunin, Reilly Steele, Eugene Gearty and Robert Fernandez)
- Best Production Design (Timmy Yip)
- Best Make Up/Hair (Yun-Ling Man and Siu-Mui Chau)
- Best Special Visual Effects (Rob Hodgson, Leo Lo, Jonathan F. Styrlund, Bessie Cheuk and Travis Baumann)
- Blockbuster Entertainment Awards: Favorite Action Team Only (Yun-Fat Chow and Michelle Yeoh)
- British Society of Cinematographers: Best Cinematography Award (Peter Pau)
- Broadcast Film Critics Association: Best Picture
Additional Information
There was also a 20 episode Taiwanese Drama that aired in 2000 also name Crouching Tiger, Hidden dragon, that revolved around the same story.http://wiki.d-addicts.com/Crouching_Tiger_Hidden_Dragon
See also
Notes and references
External links
- A philosophical discussion of the film
- Michelle Yeoh: Crouching Tiger Hidden Dragon
{{succession box| title=
Academy Award for Best Foreign Language Film| after=[No Man's Land (2001 film)-->{{succession box| title=
Golden Globe Award for Best Foreign Language Film| years=2001| before=
All About My Mother]-->{{succession box| title=BAFTA Award for Best Film| years=2000| before=
All About My Mother]-->
{{Infobox Film| name = Crouching Tiger, Hidden Dragon| image = Crouching tiger hidden dragon poster.jpg| image_size =| caption =| director = Ang Lee
[William Kong
Ang Lee
see article] (book)
Hui-Ling WangJames SchamusKuo Jung Tsai
[Michelle YeohZhang ZiyiChang Chen
Cheng Pei-pei| cinematography =| editing =| distributor =| released = [16 May,
2000 (premiere at Cannes Film Festival)
July 6 2000
July 7, 2000
September 22,
2000 December 15,
2000 December 22, 2000
December 26, 2000
January 4, 2001
January 5, 2001, [English language| budget = $15,000,000 US (est.)| gross =| preceded_by =| followed_by =| website =| amg_id = 1:201837| imdb_id = 0190332-->
Crouching Tiger, Hidden Dragon () is a Chinese-language wuxia (chivalry and
martial arts film) 2000
Academy Award winning
film. A People's Republic of China-Hong Kong-Republic of China-
United States co-production, the film was directed by Ang Lee and features an international cast of Zhonghua minzu actors, including
Chow Yun-Fat,
Michelle Yeoh, Zhang Ziyi and Chang Chen. The movie was based on the fourth novel in a pentalogy, known in China as the
Crane-Iron Pentalogy, by Wang Dulu. The martial arts and action sequences were choreographed by
Yuen Wo Ping.
Made on a mere US$15 million budget, with dialogue in
Mandarin Chinese,
Crouching Tiger, Hidden Dragon became a surprise international success, grossing US$128 million in the United States alone,{{cite web|title = Business Data for Wo hu cang long (2000)
|url = http://www.imdb.com/title/tt0190332/business
|publisher = [Internet Movie Database
|accessdate = 2007-01-15
|quote = Gross: $128,067,808 (USA) (29 July 2001) (sub-total)
--> becoming the highest-grossing foreign-language film in American history.{{cite web|title = A Leap Forward, or a Great Sellout?
|url = http://www.nytimes.com/2007/07/01/movies/01barb.html?_r=1&ref=movies&oref=slogin
|publisher = [New York Times
|accessdate = 2007-07-01
|author = David Barboza
--> The film won the Academy Award for Best Foreign Language Film and three other Academy Awards, and was nominated for a total of ten Academy Awards including
Academy Award for Best Picture. Crouching Tiger, Hidden Dragon Academy Award Nominations and Wins URL accessed December 30,
2006.
Title
The title
Crouching Tiger, Hidden Dragon (臥虎藏龍) derives from a
Chinese idiom that describes a location where everyone conceals their strengths from the others to preserve the element of surprise. It also references two of the characters: Jen's Mandarin name, Jiāo Lóng, means "lovely dragon", and Lo's name Xiǎo Hǔ means "little Chinese tiger".
Synopsis
The fictional story is set in the historic
Qing Dynasty in
Chinese history. The date of the story is during the 43rd year of
Emperor Qianlong's reign (i.e. 1778).http://www.castingforge.com/crouchingtigerhiddendragonkatana.html
The story follows two martial arts warriors, Li Mu-bai () (Chow Yun-Fat) and Yu Shu-lien () (Michelle Yeoh), the former now an accomplished swordsman for the
Wudangquan school. Li surprises Yu with the reveleation that he is to surrender
Green Destiny, a legendary sword that has been in his keeping for many years. He explains that a revelation during a period of deep meditation has caused him to rethink his life, and requests Yu, who has inherited a house of armed escorts from her father, to transport it to Sir Te, a long-time friend, for safekeeping in Beijing. In the meantime, Mu-bai intends to commemorate the death of his master, who was murdered long ago by Jade Fox, a woman seeking to learn the secrets of
Wudangquan.
Mu-bai and Shu-lien are attracted to each another but have abstained from a relationship, constrained by commonplace propriety because of Shu-lien's betrothal years ago to Mu-bai's "Brother in Oath," who was killed in battle. In their opening conversation of the film, Mu-bai's demeanor suggests that he is also rethinking his relationship with Shu-lien.
Once in Beijing, Shu-lien delivers the sword to Sir Te and meets Jen () (
Zhang Ziyi), who is the daughter of Governor Yu, a Manchu aristocrat visiting Sir Te on official business. Jen is destined for an arranged marriage, yet yearns for adventure instead of a life as a court wife. Jen is fascinated by Shu-lien's background as a fighter and develops an attachment to her.
One night, a masked thief sneaks onto Sir Te's property and steals the Green Destiny. The thief is pursued by guards, a Shaanxi policeman and his daughter, and by Shu-lien, across rooftops, alleys, walls, houses and various obstacles within and outside the enclosed estate of Sir Te. Amidst combat, and much to Shu-lien's surprise, she discovers that the thief is well-versed in martial arts and has apparently studied the Wudangquan school of martial arts, like Mu-bai. The thief and Shu-lien seem evenly-matched, and the fight is only broken off when a mysterious figure fires a dart at Shu-lien.
Many of the clues from the theft point Mu-bai and Shu-lien in the direction of Governor Yu's compound. It transpires that Jen has been under the influence of Jade Fox, who has been hiding out for many years as her Governess, hotly pursued by the couple from Shaanxi. Jade Fox challenges them to a showdown, when ends with the death of the policeman and the arrival of Mu-bai. Mu-bai easily defeats Jade Fox, but is prevented from killing her by the masked thief, who displays a skill far greater than her mentor, with influence from Wudangquan. The thief and Jade Fox escape, and in a confrontation, Jade Fox realises that the secrets of a
Wudangquan manual that she stole have been hidden from her - only Jen has understood their true meaning and has surpassed her in skill. Mu-bai catches the masked Jen attempting to return the Green Destiny, and after defeating her is moved to suggest that she become his apprentice. She refuses and escapes.
The dart that had prevented Shu-Lien from preventing the escape of the masked Jen came from a man Lo, who returns one night and asks Jen to leave with him. In a flashback it is revealed that Lo is a desert bandit called Dark Cloud who long ago raided Jen's company of travelers in Xinjiang province. Lo stole Jen's comb and she raced after him and fought him to get it back, but Lo won. He kidnapped Jen and eventually they fell in love. When soldiers look for them, Lo tod Jen she should return to her family, but expressed his love for her. He concluded with a legend about how a man had fallen off a cliff but not died but instead had his wishes come true. Lo has followed her to Beijing in an attempt to persuade her not to go through with her family's political marriage. Back in the present, Jen cannot bring herself to leave and tells him to go away and never return. Devastated, Lo complies, giving Jen's comb back before he goes. Later, Jen is paraded as she is married to her arranged husband. Lo reappears and tries to reach her but cannot overcome the people protecting her. Mu-bai and Shu-lien find him and tell him to wait at Wudan Shan, where they will tell Jen to go. The next day, it is found that Jen has run away.
Jen, headstrong in her powers and emboldened by her forbidden love to the desert bandit Lo () (played by Chang Chen), consequently does not accept Mu-bai as master, nor Shu-lien as a friend. Jen stands at a crossroads - she must choose either life as a court official's wife or a dangerous, hunted life with Lo. She also considers a rebellious (and romantic in her eyes) existence as either an outlaw under Jade Fox, or a somewhat more assured, but nonetheless unconventional, martial path with Mu-bai as a teacher.
Jen finds Shu-lien and they have a friendly conversation until Shu-lien tells her about her meeting with Lo. Jen is outraged thinking Shu-Lien is setting her up. Shu-Lien, angry at the lack of gratitude, states that she had already known Jen to be the thief, but had covered it up for the sake of Jen's family. Subsequently the two of them fight and they appear to be an even match for each other. Mu-bai arrives at the scene, and pursues Jen into the forest. When Mu-bai reasserts that he wants to train Jen, she tells him that she will accept him as her master if he can take the Green Destiny sword from her in three moves. To Jen's surprise, Mu-bai moves swiftly and snatches the sword from her hand in a single movement. When Jen still refuses to become Mu-bai's pupil, he throws
Green Destiny into a stream at a waterfall. Jen chases after the sword, but Mu-bai does not pursue after her, and surprisingly she is rescued by person later revealed to be Jade Fox.
Jade Fox bring Jen, who had gotten the sword back, into a cavern where she is working on a weapon with poisoned needles. She drugs Jen into sleep, then leaves. Mu-bai finds Jen, and soon after Shu-Lien finds them both there. Jade Fox suddenly reappears, sending a barrage of poisoned needles at Jen, but Mu-bai blocks all of them. He avenges his master's death when he fatally wounds Jade Fox, but as she is dying she hits Mu-bai with another poisoned needle. Before dying, she says Jen had been her only family and also her only enemy for not telling her to secrets of the Wudan manual. Mu-bai realizes his death from the poison will come soon.
Jen knows that the poison is Purple Yin, a poison which spreads directly to the heart. Although Jen knows of a cure, it takes too long to prepare, and Mu-bai begins to take his last few breaths. Just before his death, Mu-bai professes his true feelings for Shu-lien. Shu-lien is heartbroken, and furious at Jen for spoiling her chance of happiness, but spares her and tells her that, no matter what path she chooses, she must always remain true to herself. Jen goes to
Wudangquan mountain and spends one last night with Lo, who is waiting for her. The next morning, he wakes to see she is not with him and has left him her comb. He finds her standing beside the side of the mountain. In an echo of a legend that they spoke about in the desert, she asks him to make a wish. He complies, wishing them to be together back in the desert, and Jen leaps into the clouds below, leaving Lo behind.
As an additional remark, although the movie does not reveal if Jen dies, the subsequent novel in the Crane Iron Pentalogy,
Iron Knight, Silver Vase, starts with Jen and Lo as a couple and having one son.
Source
The film is an adaptation of the fourth novel in a
pentalogy (or five-novel cycle), known as the
Crane-Iron Pentalogy and written by noted wu xia novelist Wang Dulu. The novels in the pentalogy are:
Crane Frightens Kunlun;
Precious Sword, Golden Hairpin;
Sword's Force, Pearl's Shine;
Crouching Tiger, Hidden Dragon; and
Iron Knight, Silver Vase.
The pentalogy was adapted into a series of
graphic novels by
Andy Seto in 2006 .
Production and marketing
Although its Academy Award was presented to Taiwan,
Crouching Tiger, Hidden Dragon was in fact an international co-production between companies in four regions: the People's Republic of China company
China Film Co-Production Corporation; the
United States companies Columbia Pictures,
Sony Pictures Classics and
Good Machine; the Hong Kong company EDKO Film; and the Taiwanese Zoom Hunt International Productions Company, Ltd; as well as the unspecified
United China Vision, and Asia Union Film & Entertainment Ltd., created solely for this film.
The film was made in
Beijing, in addition to location shooting in the Anhui, Hebei,
Jiangsu and
Xinjiang provinces of China of the People's Republic of China.
Unlike most Chinese films, this one was supported by American distributors and therefore received marketing typical of Western films.
Reception
Crouching Tiger was very well received in the Western world, receiving critical acclaim and numerous awards. It is # 154 in IMDB's Top 250 films of all time. However, it was less well received in China and Hong Kong as the rest of the world, where it was perceived as just another of the countless
wuxia films released in the past four decades. Lee's emphasis on subtle emotions was admired in the West but not appreciated by some Chinese, since it was thought inappropriate to the traditional, more masculine wuxia style.
Some Chinese-speaking viewers were also bothered by the accents of the leading actors. Neither Chow (a native Cantonese (linguistics) speaker) nor Yeoh (an
overseas Chinese born and raised in Malaysia) speaks Mandarin as their mother tongue. All four main actors spoke with different accents: Chow speaks with a Cantonese accent Interview with Gong Li URL accessed December 30, 2006.; Yeoh with a Malaysian accent; Chang Chen a Taiwanese accent; and Zhang Ziyi a Beijing accent. Lee insisted that their voices should not be dubbed and some Mandarin-speaking viewers were forced to read the Chinese subtitles because the actors' accents were hard to understand. Yeoh responded to this complaint in an December 28, 2000 interview with
Cinescape. She argued that "My character lived outside of Beijing, and so I didn’t have to do the Beijing accent." When the interviewer, Craig Reid, remarked that "My mother-in-law has this strange
Szechuan-Mandarin accent that’s hard for me to understand," Yeoh responded,
"Yes, provinces all have their very own strong accents. When we first started the movie, Cheng Pei Pei was going to have her accent, and Chang Zhen was going to have his accent, and this person would have that accent. And in the end nobody could understand what they were saying. Forget about us, even the crew from Beijing thought this was all weird."
The film led to a boost in popularity of Chinese
wuxia films in the western world, where they were previously little known, and led to films such as
House of Flying Daggers and
Hero (2002 film) marketed towards western audiences.
The Region 2 DVD has slight but significant script changes to the version released in UK cinemas. Li Mu Bai's final speech is the most drastically affected.
Awards
Won
- ASCAP Film and Television Music Awards: Top Box Office Films (Tan Dun)
- Academy Awards:
- Best Foreign Language Film (Taiwan)
- Best Cinematography (Peter Pau)
- Best Music, Original Score (Tan Dun)
- Best Art Direction-Set Decoration (Timmy Yip director)
- Saturn Award ("Saturn Award"): Best Action/Adventure/Thriller Film
- Australian Film Institute: Best Foreign Film
- BAFTA Awards:
- Best Film not in the English Language
- David Lean Award for Direction (Ang Lee)
- Anthony Asquith Award for Film Music (Tan Dun)
- Best Costume Design (Timmy Yip)
- Bergen International Film Festival: Audience Award (Ang Lee)
- Bodil Awards: Best Non-American Film
- Bogey Awards (Germany): Bogey Award
- Boston Society of Film Critics: Best Foreign Language Film, Best Cinematography (Peter Pau)
- Broadcast Film Critics Association: Best Foreign Language Film
- Chicago Film Critics Association: Best Foreign Language Film, Best Cinematography (Peter Pau), Best Original Score (Tan Dun)
- Dallas-Fort Worth Film Critics Association: Best Foreign Film, Best Cinematography (Peter Pau)
- Directors Guild of America: Outstanding Directorial Achievement in Motion Pictures (Ang Lee)
- Film Critics Circle of Australia: Best Foreign Language Film
- Flanders International Film Festival (Belgium): Georges Delerue Prize (Tan Dun)
- Florida Film Critics Circle: Best Foreign Language Film, Best Cinematography (Peter Pau)
- Golden Bauhinia Awards (Hong Kong): Best Picture, Best Supporting Actress (Ziyi Zhang), Golden Bauhinia - Best Director (Ang Lee)
- Golden Globe Awards:
- Best Foreign Language Film (Taiwan)
- Best Director - Motion Picture (Ang Lee)
- Golden Horse Film Festival (Taiwan): Best Picture (Ang Lee), Best Action Direction (Woo-ping Yuen), Best Editing (Tim Squyres), Best Sound Effects (Eugene Gearty), Best Visual Effects (Leo Lo and Rob Hodgson)
- Golden Trailer Awards: Best Art and Commerce (for the trailer), Best Romance (for the trailer)
- Grammy Awards:
- Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media (Tan Dun)
- Hong Kong Film Awards: Best Picture, Best Supporting Actress (Pei-pei Cheng), Best Director (Ang Lee), Best Cinematography (Peter Pau), Best Original Film Score (Tan Dun), Best Original Film Song (CoCo Lee ), Best Action Choreography (Woo-ping Yuen), Best Sound Design (Eugene Gearty)
- Hong Kong Film Critics Society Awards: Special Achievement Award (Woo-ping Yuen)
- Hugo Awards: Best Dramatic Presentation
- Independent Spirit Awards: Best Feature, Best Supporting Female (Ziyi Zhang), Best Director (Ang Lee)
- Kansas City Film Critics Circle: Best Foreign Language Film
- London Film Critics Circle: Best Foreign Language Film
- Los Angeles Film Critics Association: Best Picture, Best Cinematography (Peter Pau), Best Music Score (Tan Dun), Best Production Design (Timmy Yip)
- MTV Movie Awards: Best Fight (Ziyi Zhang vs. entire bar)
- Motion Picture Sound Editors ("Golden Reel Award"): Best Sound Editing - Dialogue & ADR, Domestic Feature Film
- National Board of Review: Best Foreign Language Film
- New York Film Critics Circle: Best Cinematographer (Peter Pau)
- Online Film Critics Society: Best Foreign Language Film, Best Cinematography (Peter Pau)
- Robert Festival (Denmark): Best Non-American Film
- Satellite Awards 2000: Best Motion Picture, Foreign Language
- Science Fiction and Fantasy Writers of America: Best Script
- Southeastern Film Critics Association: Best Foreign Language Film
- Toronto Film Critics Association: Best Picture, Best Supporting Performance - Female (Ziyi Zhang)
- Toronto International Film Festival: People's Choice Award (Ang Lee)
- Young Artist Awards: Best Young Actress in an International Film (Ziyi Zhang)
Nominations
- Academy Awards:
- Best Picture (Murphy)
- Best Director (Ang Lee)
- Best Adapted Screenplay (Hui-Ling Wang, James Schamus and Kuo Jung Tsai)
- Best Costume Design (Timmy Yip)
- Best Editing (Tim Squyres)
- Best Original Song (Jorge Calandrelli, Tan Dun and James Schamus ) - for the song "A Love Before Time"
- Saturn Award ("Saturn Award"): Best Actor (Yun-Fat Chow), Best Actress (Michelle Yeoh), Best Supporting Actress (Ziyi Zhang), Best Director (Ang Lee), Best Writing (Hui-Ling Wang, James Schamus and Kuo Jung Tsai), Best Music (Tan Dun and Yo-Yo Ma), Best Costumes (Timmy Yip)
- Amanda Awards (Norway): Best Foreign Feature Film
- American Cinema Editors ("Eddie Award"): Best Edited Feature Film - Dramatic (Tim Squyres)
- American Society of Cinematographers: Outstanding Achievement in Cinematography in Theatrical Releases
- Art Directors Guild: Excellence in Production Design Award Feature Film - Period or Fantasy Films
- BAFTA Awards:
- Best Film
- Best Actress (Michelle Yeoh)
- Best Supporting Actress (Ziyi Zhang)
- Best Screenplay - Adapted (James Schamus, Hui-Ling Wang and Kuo Jung Tsai)
- Best Cinematography (Peter Pau)
- Best Editing (Tim Squyres)
- Best Sound (Drew Kunin, Reilly Steele, Eugene Gearty and Robert Fernandez)
- Best Production Design (Timmy Yip)
- Best Make Up/Hair (Yun-Ling Man and Siu-Mui Chau)
- Best Special Visual Effects (Rob Hodgson, Leo Lo, Jonathan F. Styrlund, Bessie Cheuk and Travis Baumann)
- Blockbuster Entertainment Awards: Favorite Action Team Only (Yun-Fat Chow and Michelle Yeoh)
- British Society of Cinematographers: Best Cinematography Award (Peter Pau)
- Broadcast Film Critics Association: Best Picture
Additional Information
There was also a 20 episode Taiwanese Drama that aired in 2000 also name Crouching Tiger, Hidden dragon, that revolved around the same story.http://wiki.d-addicts.com/Crouching_Tiger_Hidden_Dragon
See also
Notes and references
External links
- A philosophical discussion of the film
- Michelle Yeoh: Crouching Tiger Hidden Dragon
{{succession box| title=
Academy Award for Best Foreign Language Film| after=[No Man's Land (2001 film)-->{{succession box| title=
Golden Globe Award for Best Foreign Language Film| years=2001| before=
All About My Mother]-->{{succession box| title=
BAFTA Award for Best Film| years=2000| before=
All About My Mother]-->
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